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Theme and Variations - clicca per un'immagine più grande
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Titolo Theme and Variations
N. di articolo 3196369
Categoria Formazione e/o solisti
Sottocategoria Horn mit Begleitung
Instrumentation Hrn (corno); Pno (piano)
Paese di pubblicazione Svizzera (ch)
Casa editrice * Fields with a star (*) are only visible for club members after registrationclicca qui
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Anno di pubblicazione 1991
Compositore Lane, Richard
Livello di difficoltà 3
Duration 5:00
Ulteriori informazioni / contenuti Theme and Variations basiert auf 'Sweet Adeline', einer sehr romantischen, aber veralteten amerikanischen Melodie von Ende des 18. Jhd, die oft von den sogenannten Barbershop Quartets (Männer-Vokalquartette) erfolgreich programmiert wurde, meistens männliche Betrunkenheit parodierend. Deshalb Richard Lane 's Notiz am Anfang der Partitur: 'immer mit seriösem Ausdruck' gefolgt von einer struppigen, lächelnden Männerkopf-Karrikatur.
Das Stück ist der Flötistin Adeline Tomasone gewidmet aber für Ihren Gatten, den Hornisten David Wetherill, geschrieben. Beide haben am Curtis Institute of Music in Philadelphia, USA studiert, und waren Freunde des Komponisten. Wetherill war aufeinanderfolgend Solohornist an der Mailänder Scala, beim Ensemble Intercontemporain von Pierre Boulez in Paris und während 30 Jahren alternierender Solohornist beim Philadelphia Orchestra.
David Wetherill spielte das Werk 1991 in einem Rezital in Provincetown, Massachusetts.

The title and text of the theme is pivotal: the theme is 'Sweet Adeline,' an old song, very romantic but very passé in its language, frequently sung by a kind of vocal group called 'barbershop quartet,' four men singing in close harmony. It is also often sung by someone doing a parody of a drunken man singing. Because of all these reasons, the song is always quoted in a slightly facetious manner; hence, the 'toujours avec une expression grave' [always with a serious expression] handwritten in French at the beginning of the piece by Richard Lane and completed with the drawing of a comic man's face.
Theme and Variations is dedicated to flutist Adelin Tomasone, but written for her husband, David Wetherill, who was co-principal of the Philadelphia Orchestra and before that, solo horn of the Boulez' Ensemble Intercontemporain in Paris, and before that, principal horn of La Scala in Milan. Both were studying at the Curtis Institute of Music in Philadelphia. David Wetherill performed the piece 1991 on a recital in Provincetown, Massachusetts.

Le Theme and Variations est basé sur 'Sweet Adeline', une romance sentimentale américaine désuète datant de la fin du 19e s. que les Barbershop Quartets (quatuors vocaux a capella masculins) programment avec succès pour parodier les poivrots d'où la notice de Richard Lane au début de sa partition: 'toujours avec une expression grave' suivit d'une tête de bonhomme hirsute et souriant.
Dédié à la flûtiste Adeline Tomasone mais à l'intention de son époux, le corniste David Wetherill (issus du réputé Curtis Institute of Music de Philadelphia, USA et amis du compositeur). Wetherill fut successivement cor solo de l'Orchestre de la Scala de Milan, de l'Ensemble Intercontemporain de Pierre Boulez à Paris et finalement co-soliste du Philadelphia Orchestra durant 30 ans.
Richard Lane écrivit cette pièce pour ses amis à l'occasion d'un récital donné en 1991 par David Wetherill à Provincetown, Massachusetts.

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